japonisme

24 November 2011

to the young people & the union members & the old people & the vets & etc who crack nuts & who i hope i might have been one had this been then

FABLE

The mountain and the squirrel
Had a quarrel;
And the former called the latter ‘Little Prig.’





Bun replied,
‘You are doubtless very big;
But all sorts of things
and weather
Must be taken in together,

To make up a year
And a sphere.
And I think it no disgrace
To occupy my place.


If I'm not so large as you,
You are not so small as I,
And not half so spry.





I'll not deny you make
A very pretty squirrel track;


Talents differ; all is well and wisely put;
If I cannot carry forests on my back,
Neither can you crack a nut.’

Ralph Waldo Emerson

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14 January 2007

the light

alexandre lunois made his first original color lithographs in 1886, and his continued work in this field helped to elevate the field to a fine art by the end of the century.


his study of japanese art is particularly evident in his use of color, outline, structure, and the flat planes of hue. the shape of clothing and lighting fixtures are an indication as well.

edmond de goncourt, an artist, writer, philo- sopher, critic, and contemporary of lunois said of his work, "a very remarkable print is the lithograph entitled spanish dancers be-
fore the dance
. a sheet of the grandest character might pass for a japanese imitation in its intensity of tones, the raw blue at the bottom, the yellow, the pure red, the nocturnal black shadows at the fullness of the figure."






the image with the single woman is the one from the 'seeking the floating world' catalogue, as is the quote. interestingly, it is entitled, l'illumination, the light.


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